The Plot: Iris and Lark are 11 year old twin sisters who have been close all of their lives. As they enter 6th grade, they discover that, for the first time, they will have different teachers. Both girls struggle in the new school year to fit in and find their identity. Iris takes solace in an after school camp, the local library, and visiting the gentleman that runs the local antiques shop. As the sisters’ relationship comes under strain, Iris looks for ways, some of them fantastical, to heal the division between them.
My Take: This book was an enjoyable read with a few minor problems. I appreciated Ursu’s development of the closeness of the bond between the sisters, but I found that there was a little too much exposition. Some of the first third of the book could be removed and the storyline would not suffer. I also found that the fantastical elements seemed like an awkward fit with the realistic tone in the rest of the book. Still, I would recommend this to readers looking for a book on the bonds between sisters along with a hint of magic.
One Interesting Note About The Author: Anne Ursu’s profile handle on twitter describes her as an “obscure children’s book author with three cats and a murderous rage.”
The Plot (in 5 sentences or less): The year is 1946 and 13 year old Jack Baker from Kansas is sent to the Morton Hall Academy for Boys in Maine after his mother dies and his father returns to the Navy. At his new school, Jack feels like an outsider but soon meets Early Auden, an eccentric boy who has a genius for such things as mathematics and small boat craft and is also constructing an elaborate story around the number pi. As their friendship develops, Jack learns that Early is also mourning his brother, who was reported dead in France in World War II. Over fall break, the two boys push off into the Kennebec River and go on a mysterious journey that will bring them closer to their lost loved ones.
My Take: From the midpoint of the book until the end, Vanderpool injects a strong dose of magical realism, involving such things as pirates, anthropomorphic bears, and a volcano. I was initially skeptical of these fantastical elements, but, towards the final chapters, I decided that the author had pulled it off. I would consider this a very special book that explores the mysteries of grief. There is a great deal of symbolism and meaning and Vanderpool draws heavily on fairy tale and archetypes to add depth to the narrative. I found Navigating Early to be a profound exploration of how we search for answers in our bereavement. (ages 12+)
One Interesting Note About the Author: Vanderpool researched Navigating Early by visiting Maine and exploring lighthouses, a boarding school, and even taking a hike on the Appalachian Trail. She did not see any bears.